Australia from Four Cameras — (4 of 4)

Moto RAZR (phone camera) The least technically capable camera I carried in Australia was the one built into my cell phone, the Moto Razr.  And when I say ‘least technically capable’ about the imaging quality, what I mean is that it is pretty atrocious. The shutter is remarkably slow, the color calibration is bland, the orientation and ergonomics are awkward and unpleasant. That said, although it was less capable than my other ‘real’ cameras, in non-traditional ways, it was the most capable. With all its limitations I was able to do some interesting things. The panorama feature was slightly redeeming – I could wave the phone in a circle, and it would stitch together a wobbly but coherent frame.  I could instantly …

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Australia from Four Cameras — (3 of 4)

Olympus E-PL1 The E-PL1 is an amazing camera. What I love about it (aside from the image quality) is its inconspicuousness. When shooting street photography, or casual travel scenes, pointing a big DSLR neck-weight can easily tip off potential subjects that their image is being captured, and may intimidate them into feeling a need to ‘perform’ for such a large camera. The small body E-PL1 is a much friendlier camera to be in front of – it looks small and harmless, and leaves people to behave as naturally as they would if a camera weren’t around. It uses the same 13 megapixel sensor that the much larger E-30 does, but in a compact “micro 4/3” body system. The Micro 4/3 line …

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Australia from Four Cameras — (2 of 4)

Olympus E-500 The E-500 was the first DSLR I ever used, and I’ve been shooting with it for nearly eight years. I learned how to operate manual controls with this camera, and built a muscle memory with it that I can’t quite replicate with any other camera body. The E-500 doesn’t have the live-view features or the 13MP sensor of the E-30, my other Olympus camera body, but I chose to travel with the 500 because it’s smaller, lighter, and I am more familiar with its nuances. Comfort with a tool could be more important than features, bells, and whistles. Even with its older sensor and more limited features, it’s very capable of producing gorgeous images. I’ve always been impressed …

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Australia from Four Cameras – (1 of 4)

It’s the biggest question I face when I get ready to take a trip – which cameras are coming along?  For my trip to Australia, I ended up packing four cameras, four lenses, and 38GB of memory cards. Each camera served its own unique purpose, and I gave all of them almost equal use. Olympus FE-170 This camera was put to market in 2006, making it the oldest of my crew. I found it on eBay for under $100 back in 2007, so you could probably put 50 cents in a vending machine to get one today. It’s a small 6 megapixel point and shoot, with 38-114mm (equivalent) zoom. By today’s standards, it is very limited in image quality, but it …

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two Sundays in Sydney

Sunday, Sept. 22 Calexico, the American alt-rock band, performed at the Sydney Opera House. Like most tourists in the city for the first time, I might have been content to watch someone scrub the stage with a mop just to get a glimpse of the inside of one of the world’s most fascinating structures. Thankfully, Calexico, a band I enjoy very much, brought their drums and guitars and saved the janitorial staff from the task of entertaining me. Last year, I was introduced to Calexico’s funky blend of rock and traditional Mexican folk music by their performance on the Austin City Limits TV series. At the Opera House, they sounded great, and were enhanced by the building’s superior acoustical design. …

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on Walking the World

You can tell a lot about a city by its crosswalks. In Sydney, the ‘Art and About‘ program installed large banners throughout the city illustrating the slight variations in ‘crosswalk people’ around the globe. The little blinking green man who helps you avoid becoming a traffic accident isn’t the first thing that comes to mind when considering ‘what piece of public art defines where I live?’ But… ‘God is in the details.’ A few examples: In Warsaw, Poland – the Crossing Man is shattered, wrecked, in pieces. What brought him to such a state of discombobulation? How does he even walk like that? Not only are his limbs disassociated, but his head is monstrously large. It’s as if Warsaw Man …

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