Australia from Four Cameras — (4 of 4)

Moto RAZR (phone camera) The least technically capable camera I carried in Australia was the one built into my cell phone, the Moto Razr.  And when I say ‘least technically capable’ about the imaging quality, what I mean is that it is pretty atrocious. The shutter is remarkably slow, the color calibration is bland, the orientation and ergonomics are awkward and unpleasant. That said, although it was less capable than my other ‘real’ cameras, in non-traditional ways, it was the most capable. With all its limitations I was able to do some interesting things. The panorama feature was slightly redeeming – I could wave the phone in a circle, and it would stitch together a wobbly but coherent frame.  I could instantly …

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Australia from Four Cameras — (3 of 4)

Olympus E-PL1 The E-PL1 is an amazing camera. What I love about it (aside from the image quality) is its inconspicuousness. When shooting street photography, or casual travel scenes, pointing a big DSLR neck-weight can easily tip off potential subjects that their image is being captured, and may intimidate them into feeling a need to ‘perform’ for such a large camera. The small body E-PL1 is a much friendlier camera to be in front of – it looks small and harmless, and leaves people to behave as naturally as they would if a camera weren’t around. It uses the same 13 megapixel sensor that the much larger E-30 does, but in a compact “micro 4/3” body system. The Micro 4/3 line …

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two Sundays in Sydney

Sunday, Sept. 22 Calexico, the American alt-rock band, performed at the Sydney Opera House. Like most tourists in the city for the first time, I might have been content to watch someone scrub the stage with a mop just to get a glimpse of the inside of one of the world’s most fascinating structures. Thankfully, Calexico, a band I enjoy very much, brought their drums and guitars and saved the janitorial staff from the task of entertaining me. Last year, I was introduced to Calexico’s funky blend of rock and traditional Mexican folk music by their performance on the Austin City Limits TV series. At the Opera House, they sounded great, and were enhanced by the building’s superior acoustical design. …

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