Wolf Alice performing at the 9:30 Club in Washington DC

The Music I Listened To in 2017: (#24-1)

I listened to 544.66 hours of music on Spotify this year – about 13 full-time workweeks – and captured all the data with Last.fm. The ranking is ordered by how many times I listened to a song by the artist, with #1 claiming the most listens. My top 50-25 artists were published in the last post. So here, without further ado, are the rest of them. My #24-1 most listened artists of 2017: 24. Anderson .Paak .Paak may have crept into the top 50% of my artists this year on the strength of his NPR Tiny Desk concert alone. I probably watched it 30 times this year. His record ‘Malibu’ is great too. 23. Jon Hopkins Surreal soundscapes that thrive …

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The Music I Listened to in 2017 (#50-25)

A long while ago, the painter Paul Gauguin wrote: “To be an honest critic, one must not love.” So maybe writing this post makes me dishonest, but I’ll take the risk: I’ve put together a list of the top 50 musicians that I loved in 2017. This is the time of year when all the critics start listing things. The top ten this and the top twenty that. I listened to Rolling Stone’s ‘Top 50 Albums of 2017’ podcast a few days ago and caught the bug. I’m going to borrow their format, but they can keep their judgments and assumptions about how the newest things matter the most. Unlike them, there is nothing timely about these rankings. Many of …

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the Anthem sings a tribute to 9:30

  I was a little sad when I first heard I.M.P. was opening another club in DC. I love the 9:30 club so much. I’ve been going there for longer than I haven’t been. Why change it up? Why mess with perfection? Then last night I walked into The Anthem for the first time… and it all made sense. There’s a big, classy lobby when you first enter. A glass elevator rises up to the terrace area from near the entrance, with access to balcony levels above. Cymbals hang like tiny spaceships in the three story atrium, leading to a crab’s eye view of a rooftop swimming pool (unfortunately, part of nearby condos, not the club.) Moving out of the lobby and into …

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I guess I like ‘Podcasts’ Now. Here’s a few shows you should check out

I had avoided Podcasts for many years after they surfaced because of what they were called. Words derived from commercial products just seem gross to me. They’re lazy. Maybe I also just didn’t enjoy listening to people yap, instead preferring all the music that became so limitlessly available around 2008. But, times change. For the past few months, I’ve been listening to several ….Podcasts…. (the term still makes me cringe) and gathering information, insight, and entertainment.   Here’s a roundup of what’s been in my queue: Longform Longform has been great to hear writers talk about their craft. It’s an interview show that spends an hour or more asking good writers great questions. So far, I’ve heard Josh Dean, Malcom …

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Jack Baker drummer of Bonobo at Coachella

Interview with Jack Baker, Drummer of Bonobo

Since the April 2013 release of the album ‘The North Borders,’ the electronic music group Bonobo has gained immense popularity by performing more than 175 concerts in 30 countries around the world, delighting over 2 million fans from Milwaukee and Moscow, to Istanbul and England. Along with a core group of live instrumentalists, Jack Baker made heads nod all along the way with his incredible drumming and percussions. I reached out to Jack, who was very kind to answer a few questions for the first interview I’ve ever posted on ‘Brian Writing.’ The truly wonderful North Borders – Live album was just released. Do you have any favorite moments or tracks on it? Did you know an album was in the works as you were performing on the tour?  Cirrus is …

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two Sundays in Sydney

Sunday, Sept. 22 Calexico, the American alt-rock band, performed at the Sydney Opera House. Like most tourists in the city for the first time, I might have been content to watch someone scrub the stage with a mop just to get a glimpse of the inside of one of the world’s most fascinating structures. Thankfully, Calexico, a band I enjoy very much, brought their drums and guitars and saved the janitorial staff from the task of entertaining me. Last year, I was introduced to Calexico’s funky blend of rock and traditional Mexican folk music by their performance on the Austin City Limits TV series. At the Opera House, they sounded great, and were enhanced by the building’s superior acoustical design. …

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on Language, and the Careful Appreciation of Rap Music

When I was 9 years old, a rapper named Calvin Broadus from Long Beach, California, released an album called “Doggystyle,” using the stage name Snoop Dogg. Somehow, through the pop-culture distribution channels of the early 1990’s, a cassette tape of that album made its way into the Walkmen of me and my third-grade friends. We tossed around Nerf footballs and drank juice from paper boxes on the carefully landscaped lawn of our shiny, brand new elementary school while Snoop chanted into our boombox, “for all my niggaz and my bitches and my bitches and my niggaz wave yo motha fuckin hands in the air, and if you don’t give a shit like we don’t give a shit, wave yo motha …

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on The North Borders

The recording artist / DJ known as Bonobo released “The North Borders” last week, and made Washington D.C. the first tour stop in support of the album. The songs came to life on stage, energized by complex layers of live drums, keys, saxophone, clarinet, bass, and a host of other instruments. The electronic genre, lately dominated by house and ‘dubstep,’ owes a great credit to Bonobo for expanding the possibility of what can be done in a masterfully orchestrated mix of jazz, two-step, big beat, and ambient chillout. Vocalist Szjerdene contributes to the album on the tracks “Towers” and “Transits,” and is along for the tour. She silenced (and amazed) the crowd with her soft, soulful style and substituted for Andreya …

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on Love in the Time of… Hatebreed

Often resulting in injuries [4], the collective mood is influenced by the combination of loud, fast music (130 dB [5], 350 beats per minute), synchronized with bright, flashing lights, and frequent intoxication [6]. This variety and magnitude of stimuli are atypical of more moderate settings. Jesse L. Silverberg, “Collective Motion of Moshers at Heavy Metal Concerts.”  Cornell University, 2013.  The week before Valentines Day the top of the Billboard charts featured plenty of easy songs about romance – The Lumineers Ho Hey, Calvin Harris Sweet Nothings, Taylor Swift I Knew You Were Trouble. And for the first time in their 15 years of touring, the furious tracks by metal rockers Hatebreed crashed into the Billboard top 20.  On a night …

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to Robyn, on Being ‘Robotboy’

Hey Robyn! I was just listening to your song, ‘Robotboy,’ and I thought I’d answer all the questions you had. I hope this response relieves some of your worry: “Where you been?” I’ve been at work, or at home, or any of the other various places I go. I make a determined effort to find new ground as often as possible, even if it’s just a little thing – a new corner of a room to stand in, a new place to eat tofu, or a new building that would look nice in a photograph. ‘Where’ is an interesting concept. Sometimes I think of ‘here’ as more than just the place I’m sitting, or what city I’m in. Could ‘where’ …

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